Mixwit Mixtape

March 28, 2008 at 9:13 pm (Uncategorized) ()

As I talked about on the show this week, Mixwit lets you put together embedded playlists, and then slathers them in a bevy of nostalgia for the 80s with a mixtape skin. It’s really simple and fast to put them together (it’s basically an extension of Seeqpod, so you don’t upload tracks so much as borrow tracks from the internet) and it looks pretty spiffy.

But my question from the show still boggles me. How do these people make any money?

Update: Apparently it doesn’t work with WordPress blogs. Ha. It’s definitely lost some points from me. Here’s the somewhat less impressive link if you want to still check out my mix.

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Reviews of good music - Throw Me The Statue - Moonbeams

March 28, 2008 at 8:54 pm (reviews of good music) (, )

I generally don’t like reviews. That’s not to say I don’t do them, because I do. I write lots of reviews. But I don’t like doing it. Reviews, to me, should say more than whether something is of a certain quality. I find those kinds of things a rather large waste of time. However, sometimes I feel a record is worth talking about so much that I want to talk about only it. What’s a column called that only talks about a single record? A review. It’s an inescapable devil, so I’m going to ratify it. When I go out of my way to review an album, it’s because the music is so great I want everyone to hear it. Thereby, I’m appending the word “good” on the end of “music” as you can see on the title above. What you read below is an analysis of some good music. There’s no argument needed preluding the reasons why it is good. It just is.

So.

Throw Me The Statue - Moonbeams

I’m staring at a topless woman. She has just left the edge of a dock—she has been pushed by another topless woman. The other topless woman has a towel loosely draped on her head. The first topless woman, the one that’s falling, she’s arcing her back so that she can hit the water with some composure. But she’s, like, two feet away from the water. No way is that landing going to be graceful. But she’s smiling. Her entire near-naked body seems to be shining with the glee of a summer’s holiday. Her problem is not a problem, and her happiness is reflected in my happiness and, perhaps, all our happinesses.

My job is to explain to you why Throw Me The Statue’s Moonbeams, a near-solo embark of Scott Reitherman of Seattle, is a wonderful 50.1 minutes (itunes has destroyed my sense of seconds) of music. If it isn’t clear, the first reason to buy this album is because of the two topless women on the cover. This isn’t a chauvinist thing; far from it. You likely won’t get any sexual satisfaction out of it. What you will get is a sense that the album you just bought isn’t being censored in any way. Like the breasts on the cover, it’s free. And free-sounding music is—irony of all ironies—one of the hardest things to come by in the later part of this decade.

Yes, this album is largely about sex. Titles like “Young Sensualists,” “Your girlfriend’s Car,” and “This Is How We Kiss” are not exactly Reaganisms. But the sex portrayed on the album is hardly the fucking sort; this is playful, rhythmic, and soft-lit sex. It’s the same kind of sex that seems to emanate from indie rock en masse, and if I didn’t know any better, I’d suggest that Scott had been listening to a little too much Broken Social Scene. The rolling guitars and light drums don’t dissuade this theory, either.

But this album is about freedom. Sex finds its way in there, because sex is one of the greatest expressions of freedom we’ve got. But more importantly, this album is musically free. It’s difficult to put in words, but the semi-random swoops, dips, accelerations, out-of-nowhere falsettos, and fast-paced clapping sessions (at least in my head) all lead the listener (at least, me) to a place many sets of music don’t often arrive. I actually felt like I’d been on an improvised journey of the various facets of modern rock, and I’d been given all the various feelings one can experience, but at odd places. I didn’t necessarily feel excited at the crescendos, and I didn’t really feel down in the slow parts. Moonbeams left me tumbled, but in a way I appreciated and will ante up for again.

Vocally, Scott sounds like BSS alum Jason Collett, except he’s not trying to be a country singer. His voice is blanketed by fuzz, even though many of the instruments aren’t. It creates a cool split that would (I suppose) sound great in a phone ad. It’s all very catchy, and it’s all I’ve been able to listen to for the past 72 hours. Because of that, I might be biased. Reviewers never are the best people to get music advice from. Of course we like it; we wouldn’t be writing about something if we didn’t (at least in some way. I suppose people who give negative reviews for a living enjoy that, too).

Moonbeams is the kind of indie rock that one can have playing in nearly any situation, but it’s not one you can show to everyone. This is directly related to the topless girls. Your mom might like Feist, and might find the sounds of Throw Me The Statue acceptable, but don’t show her the album cover. It’s not “socially acceptable.” This, of course, makes it 1000 percent cooler, but you already knew that, didn’t you? Because even though you’re not buying this album for the cover (and should naturally never buy an album based on its cover, because that’s shallow and sheepish), it certainly doesn’t hurt when it’s really good. Somehow, acceptable-by-authority has never been a criticism of indie rock. Used to be, if your parents liked a band, they sucked. But Moonbeams won’t piss anyone off. It will make them happy, and it’ll make you happy. And if we’ve learned anything about the absolute takeover indie rock has had over the music scene in the last eight years, it’s that being genuine is far more enjoyable in the long term than being a rock star dick, even if that makes you less of a rock star (and, by extension, less of a rawker audience member), and that’s completely acceptable.

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New Sound Now - mixwit, dr pepper & GnR, mozart effect

March 27, 2008 at 9:03 pm (new sound now) (, , , , , , )

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New Sound Now - itunes subscriptions, RIAA, Ashley Dupre

March 20, 2008 at 8:35 pm (new sound now) (, , , , , , )

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Six-word reviews of SXSW bands helps both everyone and no one

March 17, 2008 at 3:36 pm (Uncategorized)

About a month ago, SXSW organizers released a torrent containing a single mp3 from roughly half the bands appearing at the festival. This number was in the OMG range of digits: 763 free singles. I Spotlit it on my show three weeks ago, and since then I’ve been trying to make my way through the exhaustive list, picking and choosing my way to a solid mix tape of bands I plan to pay attention to in the future. Because I don’t do this music thing for a living, three weeks of casual listening has landed me in the mid-C’s. I have seven and a half forever’s to go.

But just because I’m not a marathon champion doesn’t mean other people aren’t. Paul Ford of the Morning News recently posted a grid containing six-word reviews and a 1-5 rating of every song. The offering is appreciated by many, I’m sure. By a process of elimination, he’s given 5-star reviews to 72 songs, eliminating 90 percent of the trudge if you just want to get to the good shit. I’ve no doubt many will find this map illuminating and an incredible time saver.

But one should remember that as fantastic a job Ford has done with climbing the mountain, the SXSW torrent is still a mountain that can be climbed by others. Just because he found a particular route doesn’t mean you have to take it. Assuming you delete the 600 or so bands he decides weren’t 5 star worthy? You’re left with 72 bands of which you have to judge yourself. Bands that you might not like, because your taste may differ from Ford’s.

I know, I know. “Do it yourself” is a tired argument. Some people need a railing up the steps, and Ford does that wonderfully. I don’t necessarily disagree with his comments about anyone, but that doesn’t necessarily mean that you will. Music is and has always been about being cool and going with the crowd AND being yourself and going against the crowd. It’s no surprise both options easily present themselves in regards to SXSW.

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New Sound Now - Murder, Contrast, and We7

March 14, 2008 at 12:33 am (new sound now) (, , , , , , , , , , )

This week on New Sound Now: What happens when your boyfriend doesn’t let you listen to Bruce Springsteen, spotlight on the Contrast podcast, SXSW streaming, REM and iLike, and what happens when a music store slaps ads inside your mp3 in order to give them to you for free.

Show notes + Links

Show music : Bryan Cox’s “Let’s Go To Work”

Australian woman stabs boyfriend because he didn’t let her listen to Bruce Springsteen records, though one assumes there’s got to be more to that story.

Tim Young’s Contrast Podcast, a collaborative effort that sounds impressive.

Continuing 2008’s year of live streaming, SXSW has a few live net concerts this weekend.

Be Your Own Pet have put up the first of a three-part webisode in the hopes of promoting their new record, out in a few weeks.

REM is putting up their new album as an iLike stream two months before release. I personally think this is a step backwards after Radiohead’s and NIN’s antics in the past while. What do you think? Leave a comment.

We7, the new online music store where everything is free! Well, for a price. See, every single mp3 is shackled to a 10 second ad. I don’t really have anything to add after the rant on the show, but if there’s something I’m either missing about the service or you’d like to defend it (or attack it further) then by all means leave a comment. I’d love to hear it.

Videos

Kaki King - “Pull Me Out Alive”

Panther - “Violence, Diamonds”

Thao Nguyen - “Bag of Hammers”

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Sigur Rós’ entire film “Heima” available on Youtube

March 7, 2008 at 3:24 pm (Uncategorized) (, )

Remember yesterday on the show when I was talking about free content being the current way to spread awareness of a band? Well, Sigur Rós just upped the standard a notch by releasing their entire new concert film on youtube.

Why this makes almost more sense than giving away a record is that the concert film was always considered advertising anyway. Although the film is absolutely gorgeous, the one major message to be taken from it is “come see us live.” That’s the whole point of any televised music event. Whereas one can argue an album is something in and of itself, a concert film isn’t; it can’t exist without the live component, and it will always pale to anything heard in person.

Having said that, Heima is an astounding film. If you can manage to watch a youtube screen for an hour and a half, it’s definitely worth it.

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New Sound Now - Tunecore, Pitchfork.tv, NIN Ghosts

March 6, 2008 at 6:36 pm (new sound now)

Show notes for the March 5th episode of New Sound Now:

Bumper music - Flowers Forever’s “Happy New Year

Facebook hooks users up with band pages and itunes integration

Tunecore allows bands to upload and host albums for really cheap, as well as place them in itunes, Amazon, and other major outlets. They also print and sell CDs on the cheap.
Current TV launches 30 minute music show.
But then Pitchfork puts out a press release saying they’re launching an entire music channel, Pitchfork.tv

Free Music

After the Weather release a live EP on The Pirate Bay.

Nine Inch Nails release Ghosts I-IV, a 36 track instrumental record with a variety of payment options, one of them being part of the record for free.

Videos
The Charlatans - “Oh Vanity”
Buraka Som Sistema - Sound of Kuduro
The LK - “Stop Being Perfect”

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Why people who don’t listen to music and can’t write proper journalism probably shouldn’t be a regular columnist

March 4, 2008 at 3:19 pm (Uncategorized) (, )

Suite101 is a site about nearly everything, whose contributors seem diverse and professional. This isn’t a knock on them. I’m sure they do good stuff. It’s also not a knock on Alex Keshen. I’m sure she’s a fine writer with a good head on her shoulders. At least, I’m sure she is when she’s not talking about the music industry. A recent article published on Suite101 by young Alex was brought to my attention for several reasons, and I’d like, if I can, to use her as an example on how not to write a column about music.

First of all, the opening: “As different styles of music are often representative of different groups of people, can they also represent different types of behaviors?” Is this a question? Is it a thesis? What types of behaviors are you talking about? Because in reading your article, it seems you mostly want to concentrate on murderers and hooligans. As a leading sentence, this is about as vague as it can possibly get.

Then, the first paragraph ends with “But, are they just innocently listening to their favorite tunes? Or are they in for something more?” This makes it seem that you’re leading me to a sinister conclusion. As well, by suggestion that the listener is there “for something more,” that they are in fact looking to take some kind of message or permission from the music. That is to say, they’re already criminals and are searching for an excuse.

The next section is what really gets me. It also completely disqualifies Alex’s argument from any and all anchors to logic and reality: “In the media it seems that certain groups affiliated with particular genres of music, often seen with rap – typically African-Americans – and hard-rock/heavy metal – often misfits or troublemakers – are pinpointed when something within their community goes awry, as having been strongly influenced by the music they listen to.”

There are four things terribly, terribly wrong with that paragraph: a) Beginning with ‘in the media’ and not providing any sort of citation means that you’re either taking the media at their word (which is almost always a mistake) or that you’re simply making up a ‘media’ so that you don’t have to take the imperative in your b) blatant racism and stereotyping. We know this isn’t an article about music at all; it is in fact a smear piece against African-Americans, fans of hip-hop, and fans of metal. c) Are these always the people pinpointed in a society when things go awry? What society? What is going awry? Finally, d) this paragraph is atrocious. It is grammatically incorrect in at least three different ways. Some serious red marker is in need here.

The line that follows this paragraph kills me: “But does it truly work this way? Can the content of a song influence one’s actions and/or behavior?” It’s as if to say “I’m not accusing anyone of doing anything. I’m suggesting a connection, but who knows if it’s even real?” Rule #1 of editorial journalism is to own your opinion, Alex. Is this column an argument that the groups you suggest are causing all this alleged trouble? Or is it passive-agreesive semi-anonymous finger waving at groups you know absolutely nothing about? Are you even a fan of music, Alex? Or are you only a fan of a certain kind of music, say, a kind that doesn’t offend your precious un-awry society?

“According to an article in the Stanford Online Report, the average teenager listens to up to five hours of music per day, a number which seems to be steadily growing with the ever-growing popularity of mp3 players.” This sentence informs me that this article was actually written in 2000. Ever-growing popularity of mp3 players? Really? That’s like suggesting in 1997 that CD players might just take over the Walkman market. It’s 2008, Alex. People have mp3 players in their toothbrushes now. Get with it. Also, what article in the Stanford Online Report? We couldn’t get a link to that article, could we?

This next part is the king-fish of the column, however: “As the popularity of music among youth grows, the number of teens who are becoming more violent, more sexually active and who are experimenting with drugs is steadily increasing. The parallel seen between the two analyses sparks questions regarding a connection; does music influence potentially harmful behavior?” Okay, even if the Stanford report exists somewhere that says we listen to 5 hours a day (I listen to far more than that, let me tell you), what’s the other report telling you that teens are turning into the cast from Escape from LA? It’s very possible this section was written in 1954. What’s next? The kids’ll start hanging around on motorcycles and roughing up soda shops?

So what evidence to we have of any of this? Columbine, of course. Alex quotes Marylin Manson, an artist who’s been de-fanged completely. Alex then brings up a slightly more recent case: “Similar to, but not to the same extent, the media made a point to mention that Kimveer Gill, the shooter at the more recent Sept. 13, 2006, shooting at Dawson College in Montréal, Que., followed the music and lifestyle of a Goth. Why would the media have mentioned this, if it was not attributing it to the shooting?”

Let’s repeat that last sentence, just to give it the proper gutspa it deserves: Why would the media have mentioned this, if it was not attributing it to the shooting?

Let’s forget the fact that the article ends here, leaving me wondering where else Alex might have gone with this asinine passive-aggressive ramble on moral righteousness. Let’s also forget the ridiculous uses of Columbine and Montréal as examples for why metal music is evil (also, what happened to those African-Americans and hip-hop fans you mentioned earlier? Don’t they get an under-researched example?) This line about the media is what got me to write this response. Alex, I feel sorry for you. Believing the media’s speculation, especially in incidences involving pop culture they don’t understand (metal, hip-hop, etc) is what helps create paranoia in society. The media doesn’t have the first clue as to what they’re talking about, and shouldn’t be considered authorities on anything. They are reporters looking for an angle to sell, and that’s it. By believing them, swallowing their hype, and spewing it out yourself, you’ve become one of them. Your opinion is misinformed, and your uneducated and unresearched bias is an insult to music fans, an insult to music journalists, and an insult to your readers, especially considering the article was placed in the child psychology section.

Good day.

***
Addendum

If you read the comments section of this post, you’ll find a fueled conversation between me and the author of this piece (as well as others) that resulted in the article being altered in significant ways. Check it out yourself. It’s a good day when criticism leads to change. It doesn’t happen often. In fact, that’s the lesson of the day. If you see something out there that doesn’t seem right in your eyes, say something and stand by it. Who knows what might happen.

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Download the Charlatans record for free

March 3, 2008 at 8:50 pm (Uncategorized) (, )

charlatans.jpg

I mentioned this a while back on the show, but I just thought I’d remind everyone that the Charlatans’ new record, You Cross My Path, is available to download for nilch.

Download the album for nilch (and possibly nadda).

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